|
| |
|
 |
| |
|
Image Post Processing
Images straight out of the camera vary in terms of their
saturation, sharpness etc depending upon the style of the camera in use
Compact 'point 'n shoot' cameras employ much more
internal processing than 'prosumer' cameras or dSRL which leave the image
basically unprocessed so that the user can apply the appropriate amount; a heavily
'in camera' processed image CANNOT be reversed
|
|
| |
|
Introduction |
|
|
When I first started using digital media, a 2 mega pixel Canon S20,
quality wasn't too impressive and, in my naivety, I just resized them to
fit the format required for publishing here on the web i.e. 600x400.
Memory cards were also expensive and limited in size to 64M, so the
temptation was to use a low resolution setting. It
soon became apparent that images had to be taken at their maximum
resolution with the least amount of JPEG compression in order to obtain
the best possible start; resized images done with a graphics package produce
better web sized images. Progressing to a Fuji FinePix
4700, then a Fuji FinePix S602 resulted in better quality images but
still lacked a certain 'bite'. Taking advise from work colleagues
and comments in user forums, I soon discovered how to maximise the
quality by incorporating post processing.
When I considered a further upgrade, resulting in the purchase of the
Pentax *istDS, a 6 mega pixel dSRL, I was initially puzzled by apparent poor image
quality from these more expensive cameras; the reason being as previously
stated - less 'in camera' processing.
Adobe Photoshop CS has been used to process the follow image; other
graphics packages can also be used with similar effect.
|
|
|
|
The
process used to get the image from camera onto the web |
|
|
|

|
Image straight out of the camera - note
the sloping horizon |
|
|
|
|
|
|
|

|
Using Edit/Transform/Skew to pull the left bottom down & right top up to
straighten out the horizon
Some might say that this distorts the image. Alternatively, use
Edit/Free Transform to level out the horizon followed by Crop or
Edit/Transform/Scale to enlarge to eliminate blank spaces |
|
|
|
|
|
|
|

|
Use Image/Image Size to set the image
size to match the resolution of your monitor |
|
|
|
|
|
|
|
|

|
Use Image/Adjustments/Levels to adjust
the histogram
The left hand slider adjust the dark level, the middle
slider adjust the mid tones & the right slider the light
levels |
|
|
|
|
|
|

|
Image after Levels have been applied |
|
|
|
|
|
|
|

|
Use Image/Adjustments/Shadow Highlights
to adjust the these levels
This technique is useful in bringing out detail in a
dark foreground (Shadows) and emphasising cloud detail
(Highlights) |
|
|

|
Image after Shadow Highlights have been
applied |
|
|

|
Use Background/Duplicate to create a
second laver
Then set to Soft Light and adjust the Opacity to suit
- somewhere between 18% & 95% |
|
|

|
Image after Background/Duplicate has
been applied |
|
|

|
Now apply Filter/Sharpen/Unsharp Mask
to sharpen the image to suite
The values used in the example above work reasonably OK |
|
|

|
Image after all processes have been
applied including USM |
|
|
|
|
|
Processing to
remove spots on the image sensor using the Spot Healing Brush Tool |
|
|
|

|
Using the Spot Healing Brush Tool
Use the square bracket keys [ ] to make the tool
diameter larger or smaller to fit over the spot, then click
the mouse
Sometimes this doesn't work too well especially when the
spot is adjacent to something else
Use the Clone Stamp Tool by selecting a section of sky
adjacent to the spot, then press the 'ALT' key to 'grab' the
selction, then move the mouse to the location of the spot
and press the left mouse button moving the Clone Stamp Tool
across the spot. |
|
|
|
|
Processing to
remove unwanted detail using the Clone Stamp
Tool |
|
|
|

|
Using the Clone Stamp Tool
Sometimes it necessary to remove certain detail i.e.
power lines that run across the sky or, as in this example,
a garish image |
|
|

|
Using the Clone Stamp Tool
Select areas of detail that match the background , then
by slowly repeating the process, the character can be easily
removed |
|
|

|
Using the Clone Stamp Tool
Select areas of detail that match the background , then
by slowly repeating the process, the character can be easily
removed |
|
|
Processing to
remove unwanted detail using the Magic Lasso
Tool |
|

|
Using the Magic Lasso Tool to tone down
the background
Trace around the shape using the Magic Lasso Tool, then
select 'Edit in Quick Mask' & use the Brush Tool to
add/remove, then, with the Magic Mask Tool selected, use the
Right Mouse button to select Inverse. From the Filters
Menu chose the desire filter (Gaussian Blur works well) &
apply the amount required - not too much as it creates too
false an effect, then the background can be darkened using
Image/Adjustments/Levels
Alternatively, once the area has been selected with the
Magic Lasso Tool, use Edit, Copy, Paste to overlay a copy on
top of the original, then select the background layer to
apply the changes leaving the copied layer untouched. |
|
|

|
Using the Magic Lasso Tool
Here's the finished effect |
|
|
Processing to
remove Vignetting & Chromatic Aberration using the Lens
Correction Tool |
|

|
Using the Lens Correction Tool
Most photographic lenses exhibit optical vignetting to
some degree; the effect is strongest when the lens is used
wide open & will disappear when the lens is stopped down by
a few stops. Optical vignetting causes a gradual
darkening of the image towards the corners; this
illumination falloff often goes unnoticed but it may become
disturbing when the subject has large faces with an even
colour or brightness. |
|
|

|
From the Menu Bar, apply Filter/Distort/Lens
Correction & adjust the Vignette/Amount sliders to suite
Chromatic Aberration (purple fringing) can also be
compensated for using the Fix Red/Cyan & Fix Blue/Yellow
sliders to suite |
|
|

|
Using the Lens Correction Tool
Here's the finished result |
|
|
|
|
|
|
Please note that these pages are
'graphic intense' and will take time to download
These pages are best viewed with Microsoft Internet Explorer with a screen
resolution 1024 X 768 pixels |
|
|
Pictures taken with Fuji FinePix 4700, Fuji FinePix S602 &
latterly, Pentax *ist DS
Panorama Factory software was used to
produce panoramic views |
|
|
Original images taken at maximum resolution, then reduced to 600x400, latterly,
700x466 and compressed
using DCE AutoEnhance to reduce final size
Unfortunately, images on these pages will appear at reduced quality |
|
|
Images may ONLY be used for
NON-COMMERCIAL purposes and credited to WightCAM |
|
|
If any photographs fail to
download, right-click on the mouse button and choose 'Show Picture' |
|
|

Sponsors to WightCAM for licensing Ordnance Survey
maps and costs to maintain this web site with an ISP |
|
|
|
Menu code
© Brainjar |
 |
 |
|
|